by Maria Raha  |  Photos By Tod Seelie
originally published, issue #7, 2005


Explosions of blistering stop-and-start static are knotted with agonizing, far-off, distorted vocals. Blankets of brutal honesty distill the human experience down to its barest, most intense—though not always angry—moments. Regardless of layers of chaos, the aesthetics of Prurient and Dominick Fernow’s label, Hospital Productions, are tightly wound, but always fluid. There’s no room for leaks, no loose ends, no squeaky springs; however, Prurient is hardly an assembly line of albums rehashing one consistent idea.

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by Swingset Magazine on 6/20/2012 in Features, Interviews | Tags: , , , , , , ,

Prurient – Bermuda Drain (Hydra Head)

Saturday May 15th, 2010- Prurient’s Dominick Fernow is traveling through a tunnel in Europe at night. He is exhausted, miserable, anxious, and bored. This is usually when he conceptualizes his best work. Having spent most of the last two years playing synth in the iconic pop group Cold Cave, Fernow has had plenty of time to reflect on his own material. Bermuda Drain states its intention to soundtrack this sensation, the moments of dead time in travel, surrounded by lights and the narcoleptic calm of speed, traveling with no connection to the outside world. In order to realize his vision Fernow abandoned every tool and instrument he’s ever used, down to the cables and chords, in a technological purging. The result is immediately apparent. Displaying overt musicality, Bermuda Drain may seem surprising to those expecting to be confronted with walls of noise and feedback.

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by STEVE LOWENTHAL on 6/20/2011 in Reviews | Tags: , , , , , , , , ,

RRR 1000

The bar has been set again by Ron Lessard, the great schemer of noise and contemporary art hero, with the release of the RRR 1000 lock groove LP. 20 artists create 50 loops each, all 1.8 seconds in duration that repeat infinitely until the listener manually moves the needle – in essence a perfect skip.  For any sane human being the concept is utterly masochistic and unfathomable. But for those with a sound complex, the various results and approaches can be both daunting and rewarding.  To what degree and duration does a lock groove reveal its merits or personality? Approached from a minimalist standpoint, one could easily site precedent of Lamonte Young, John Cage or even Andy Warhol, as artists who used extreme time expansion as a means to create hypnosis and reveal the character of a sound or image over a period of hours, days and beyond. One could make the argument that it would take 1000 days to fully get the effect of this record, or maybe more.

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by STEVE LOWENTHAL on 10/15/2009 in Features | Tags: , , , , , , , , , , , , , , , , , , , , , , ,